Broken Toy: God, Netta Barzilai's new song is so annoying

What is all the crazy artistic investment worth if there is no refrain to hear again in the end? And the band of sixteen sheep were very excited, too, the combinations between Reichel and Serrin and Aya Corem and a real son of disappointment were disappointing, the era of Amadi is getting stronger and more. Singles review

Broken Toy: God, Netta Barzilai's new song is so annoying

Neta - Ricky Lake

I prefer every day a strange and disproportionate thing that Planta does in her clips about the desolation that holds large parts of the Israeli mainstream, but God - let's face it - some annoying song. What is all the crazy investment (really!) Worth in disturbed artistic packaging (for the better!), If in the end there is no refrain to hear again, but a monstrous pop song that attacks you 300 mph from top to bottom. Even after "Toy" she had good songs Even more, and even Ricky Lake herself was passionate about the parody of America - at least I didn't fly at it.

The Sixteenth Lamb - a gem

The candy of the era is a joyous greeting from another era over forty years ago. Admittedly, this is just one song, hosted by the other giants - Jonathan Geffen, Gidi Gov, Judith Ravitz and David Broza - on the upcoming children's album by June Rechter, but these few minutes are enough to give you a momentous piece of childhood. "Pearl" does not carry a secret message - it's a pretty straightforward maturation story of a spotted cat having to get by itself in the bins in the yard until it falls in love with another street cat - but yes all the old mother-band cargoes: an innocent but rude story about growing pains, Brilliant beads with perfect vocal processing, and a smile that reaches children and adults alike. As my colleague Yuval Niv recognized from Yediot Aharonot, apart from the tribute to the beloved lamb, there are at least two more winks here: Naomi Shemer's "movement" and the "nature lovers" of the roosters. There is not much to say: it will be erased from beginning to end. Listen to him upstairs.

Geffen wrote, Richter composed: The Exciting Union of "The 16th Sheep"

Age of Standing - here and there

Coming to "Map For There" stands as a cohesive artist: the song continues its musical and textual line, with only a few reinforcements: Adar Gold and Yahel Doron from the mainstream wing, and behind two heavyweight cannons - Berry Sakharof on the guitars, and Micah Sheetrit Sheit recites in a recital - to the "lonely tree". Basically my stand was not really my cup of tea, and he does not always convince me as a singer-observer-writer in the image of Shlomo Artzi and Ehud Banai. "Here and There" is also not a singularly brilliant song, but it nonetheless presents some perfection, not least thanks to the hit line of chorus: "In My Head We Win," in which his voice implies that reality is exactly the opposite.

Aya Corem and a real son - just love

Vineyard and real son are both talented in their own right, and have just put two kinds of albums behind them - Vineyard with its own versions of songs Leonard Cohen, a real son with songs he has long shelved. Although a real son has played with Vineyard in the past, this is their first duet to come out. The result is quite boring, clichéd (the refrain is "what is left? Just love. There is nothing. Just love" and so on), and mostly ticked by sticky touch, and even Eric Einstein quoted here (in the song "Because of you") did not give the song a bit of a day's closure . After two original projects, the slow duet "Just Love" might enjoy a combination of beautiful, yet disappointing sounds.

Josie Katz - and now it's good

I'm not ashamed to admit: every song that Katz puts out - and it's not something that's happened too much in recent years - makes me excited. The special accent in which she utters the words "and now is good" produces a fantastic vocal, and like other songs from the later part of her career, such as "I forgive" or "After All The Love is Gone" - it carries with it all the way the singer went The veteran, or at least I think so. The song was written by a nosy philosopher Philosopher, who did not write and compose many songs in the past, but almost everyone cherry-picked ("You Got Me", "No More Day", "Beginnings"). Bashir Katz optimistically declares that she "no longer misses this time." As long as she releases new songs, there's really no reason not to celebrate the present.

The Reich and Nasrin project - what a good day

This argument is already well-known - Reichel finds his voice precisely through the voices of others, and flourishes more under the umbrella of the project. His solo albums tended to bore his composure, especially his ability to get the best out of chants, especially singers he worked with. Nasrin joins a gallery of such singers who received Reichel Ballad tailor-made to their dimensions, yet completely within the boundaries of the project. "What a Good Day" is not an unusual song and does not transcend previous Reichel records - disappointing that we will not concoct here a song that combines several languages, as Nasrin sometimes sings to her and as Reichel knows very well in his experience - but it is a decent ballad, which does very well in the ear.

Aya Zehavi Feiglin - guitar and piano

The world is changing fast, rock is disappearing, so it's good to have Aya Zehabi Feiglin. "Guitar and Piano" is a desperate protest song against advancing time, technology taking over and land disappearing. Musically, he continues the line of her first album, just a little happier and full of whistles. It is very reminiscent of some of her other songs - an advantage when you're a musician whose songs are excellent one by one. Soon you too will start to whistle.