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"Get out of this" is not as funny as she thinks, and mostly exhausts itself very quickly - Walla! culture

2021-09-14T06:07:10.598Z


Keshet's relatively new suspense program, led by Avi Nussbaum and Adi Ashkenazi, ended up being pretty mediocre. "Get out of this" is cruel but not too much, and not really extreme (and it's good that it is). It does not excel in any other parameter to become something more than a screensaver


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"Get out of this" is not as funny as she thinks, and mostly exhausts itself very quickly

Keshet's relatively new suspense program, led by Avi Nussbaum and Adi Ashkenazi, ended up being pretty mediocre.

"Get out of this" is cruel but not too much, and not really extreme (and it's good that it is).

It does not excel in any other parameter to become something more than a screensaver

Tags

  • Get out of this

  • see you

  • Adi Ashkenazi

  • Avi Nussbaum

  • TV review

Nadav Menuhin

Tuesday, 14 September 2021, 08:41 Updated: 08:54

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Promo for the "Get Out of It" program with Avi Nussbaum and Adi Ashkenazi (Keshet 12)

Israeli television is full of all kinds of experiments on humans, from "wedding at first sight" to "survival." All of these programs have a certain dimension of voluntary public humiliation, but when it comes to the suspense genre - the desire is exaggerated by the participants. For one side it may be amusing, but for the other side, immortalized without his knowledge, it may be a nightmare in public. The newcomer to the genre, "Get Out of It" which aired last night on Channel 12, heats up the tensions and tensions over a small fire - until they are ready to go wild.



"Get Out of It" is a new incarnation of "We'll See You," which aired on Keshet and Beep in the previous decade, then with Avi Nussbaum and Shai Goldstein, and today with Nussbaum and Adi Ashkenazi.

The concept is simple: more and less ordinary Israelis get somewhere, and randomly get into a TV prank.

One of them is taken to a side room, and if he agrees he is required to complete a variety of awkward, sometimes even insulting, tasks to the astonishment of his or her spouse, in exchange for a monetary reward that exacerbates the more hallucinatory task.

Ashkenazi and Nussbaum constantly giggle with sideways hyperactivity, and at the end hand out prizes to the couple.

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Torn in the secret room.

Avi Nussbaum and Adi Ashkenazi, "Get Out of It" (Photo: Screenshot, Keshet 12)

In the first episode, three couples were caught playing, and in all three cases, the man was asked to stretch the woman - one at a restaurant (he eats from other guests' tables and tells the waitress that the score he gives his relationship is five), one in a hotel room (he lies on the dining table and gives the partner ) And one in the B&B (he just goes back, and breaks a bunch of glasses).

This is how the Israeli pastime - the moment when you can seemingly forget for a moment the daily worries - becomes a disaster site that is all unpleasantness and misunderstanding, for a handful of bills.



The effect is familiar: we watch a contestant writhe and swell and the partner loses patience to the point of anger, when everyone except him knows what is really going on.

All you can do is cover your eyes in front of a particularly kinky task, or move a channel of course.

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All that is left to do is cover eyes in the face of particularly embarrassing moments.

Avi Nussbaum and Adi Ashkenazi, "Get Out of It" (Photo: Screenshot, Keshet 12)

It ended up being a pretty mediocre game.

"Get out of it" is somewhat cruel, but not too much, and not really extreme (and it's good that it is).

It does not excel particularly in any other parameter to become something more than a TV screensaver.

The show is fun to a certain extent: it's funny - but not the way it's supposed to be.

More importantly, as you might guess she exhausts herself very quickly, after three fairly similar episodes.



Meanwhile, Nussbaum and Ashkenazi have fun in the secret room.

Torn.

The comedy this time is basically not on their backs, but on the participants.

It’s contagious, really, but there’s also something jarring about the gap between the laughs in control and the discomfort in the filmed room.



The moment of relaxation is the most embarrassing: when the stunned, almost frightened stretchers enter the side room and meet the pair of happy guides - it is clear that there is no fit between the mood of the parties.

The last participant, who heard from Ashkenazi that she was a "difficult woman," replied with a half-smile that the proof that she was not really like that was that the two were still breathing.

Maybe for a moment they then felt the price of embarrassment they caused the other side.

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Source: walla

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