The Slave Rebellion: The final episode of the third season of "Heirs" is a television school

The brothers showed real compassion, the slaves revolted without the need for robes and the devil caught everyone by surprise: after a season that seemed a bit complicated within its own molds, the fine drama series took off in the last three episodes, especially the amazing finale, rewriting its own rules.

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Ilan Kaprov

13/12/2021

Monday, 13 December 2021, 23:21 Updated: 23:32

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Promo "Heirs" Season 3 Episode 9 (HBO)

"Mog was tired

what a way to open a season finale, which was probably the biggest in the history of "Heirs". As the horror of the defeat of the defeated and broken Kendall still hovers from the end of the eighth episode of the season, Logan reads to Iverson from "Goodbye, Mog" - the last book in the long history of the cat Mog, the protagonist of children's books by Judith Kerr.

Mog's story spans more than 30 years and 16 books, but in the latter of which she is not the protagonist at all.

Fatigue overwhelmed her and she passed away early on.

Her grieving and longing family receives a new, frightened and confused kitten in her home.

At the last mercy to her loved ones, Mog's spirit helps push the kitten into the arms of her old family, giving them the way they can overcome and recover.

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Separator and governor.

"Heirs" Season 3 Episode 9 (Photo: HBO)

These words seem to sum up the cry of Kendall's soul. Abandoned and abandoned, shrouded in regrets and failures, he seemed to have indeed been happy to finally sleep forever. Retire from the Sisyphean pursuit, from the rock roll of the revolt in front of his father up the hill - only to see him deteriorate again all the way down time and time again. He is tired of the struggles with his brother, of his failed marriage, of the lack of connection to his children, of the fact that he has never been able to move away from the mighty shadow of Logan, but also not to overshadow him. But miraculously, this text fits Logan as well. Old Harry, the man who had fought all his life, got tired. This is a hint meters to what is yet to come, to a step that seemed to Logan we knew never to do: sell the company that is the enterprise of his life.

But there is in this overture even beyond the duo whose relationship is the cornerstones of the series. Iverson himself is a second generation to the trauma of Roy's sons and daughters: children who have everything but lack the most important thing of all. Wishing for the love of a father he has never received, he chooses a method of action that is completely opposite to that of the original generation of trauma. Instead of kicking, rebelling and humiliating the parent who hurt him, he runs away to children's stories full of innocence and comfort. It is not for nothing that Logan is so obsessed with him. For him a book without "action" is not worth the effort.

In the eighth episode of the season, "Kantishire," Caroline confesses in a rare moment of sincerity to Shibon who apparently should not have had children.

"I should have adopted dogs," she bites her stunned daughter, who replies, "You could adopt dogs," before her mother decides, "Not with your dad. He never saw anything he liked, that he did not want to kick him just to see if he did." will return".

And Iverson?

He is not interested in a confrontation.

He is not interested in battle.

"Sometimes he still loves it," his sister explains of his love for books for children younger than him, and he repeats "sometimes I still love it."

Like Moose, he is still seeking comfort, the light.

So unusual for someone who grew up in the rotten flower bed of the Roy family.

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Predict the future to come.

"Heirs" Season 3 Episode 9 (Photo: HBO)

Finally a worthy opponent

The "Cliffhanger" of the previous episode was not really dramatic. Beyond Kendall's filmed appearances in the various trailers released by HBO, the series could not really exist without it. Though he is not equal to his father of course, none of the other characters have the deep charge, ambition and willingness to fall and get up every time again, like the older brother who is not Conor. And in this first scene, in which he is again seen at the height of his insult, the family's yard clown, he releases a detail of information that may become critical in the future. He has met with new lawyers and is considering uploading to his Instagram his full correspondence from the past five years.

But that's a concern for another season.

This season and this episode, Matson is actually hurting with the parable that predicted the future to come.

In ancient Rome, according to what Mark Zuckerberg (speaking of the wicked) told him, the masters considered giving the slaves a uniform that would make them easily recognizable.

They decided to abandon the plan when they realized that in this way the slaves would discover their common numerical power, and surpass the masters.

And what is this parable, if not the story of the Roy family's children: the trio that has never agreed to unite forces, always holding each other's throats and each other's throats, refuses to understand that its power is precisely in its unity.

On how this will end we will expand further, but this is further evidence of the impressive and clever ability of "heirs" to combine mythology, complements and gestures to cultural works, in a way that plays with the head of us all.

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No longer the favorite son on duty.

"Heirs" Season 3 Episode 9 (Photo: HBO)

Until the kids understand what he has long understood, Logan enters Matson's arena knowing that the fight will end in a loss. "I know how to win every fight against a boxer," he boasts in episode eight, "but I do not know how to beat a clown." Already at that meeting he realizes that the balance of power is not in his favor, but unlike his children he finds in Matson a worthy opponent. Their verbal exchange of blows makes it clear to him that he has met a man like him: cold, slapping truth in the face and well aware of his power. A brief glance away from him is enough for Logan to get Roman (and us) out of the picture. On the face of it, he refused a deal in which he would for the first time become edible instead of edible, but in practice he remained in the arena.

From this moment on, "Heirs" takes an extraordinary step that goes against everything we have learned to recognize from it.

It keeps us completely out of the decision-making room.

The place where the series has been juggling, pampering and stirring for three seasons, with deliberately confused camera movements to follow the unexpected twists and turns - remains as enigmatic for us as it is for most of the other characters.

In one scene it is literally a literal removal, with the camera (representing us) waving over Logan who is during a secret phone call on duty, turning out of the room and approaching the exit.

In this way "heirs" benefits twice: it leaves us in great tension of course, but allows us for the first time to get into the shoes of the characters outside the closed rooms.

Those who search for pieces of information, chase characters who talk on the phone, raise unfounded questions and run horror scripts.

For one episode we were all Tom Wombsgens - until a moment not.

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The helplessness outside the closed rooms.

"Heirs" Season 3 Episode 9 (Photo: Screenshot, HBO)

Do you want to make a deal with the devil?

Of all the pairs the "heirs" have brought us, there is no stable and efficient one like Tom and Greg. This is also where most of the most witty and delightful pearls in the series, which are very successful in general, come from. "If you marry her there will be a plane crash distance from being the strangest king in Europe," Tom geniusly stings the growing affair of the crumbling cousin with the handsome Countess. "Enter Greg's name, if Roman marries her he will invade France." Beyond the marvelous play of Matthew McFadden and Nicholas Brown, there is so much in common between them. Though Tom will not admit it, he is a negligible outsider just like Greg. Although he knew how to make his way less awkwardly from Greg to mediocre roles at Wester-Roiko, he was and remains the cornerstone. The man who collects everyone's needs. And while Greg was a perfect victim for Tom, who could not have abused anyone but himself, he was also the only one who came to his aid - and vice versa.

Just before Tom makes his move, it's Greg growing from duck to swan.

Tarti dancing means about two weddings, between Compri and the Countess, it is seen for the first time in Tom's eyes in a different light.

No longer his goal board, not the useful idiot, but one who can become his only partner in truth.

Through the butts that Tom and Shiv went through goes through the entire series, over and over again, time after time.

Only at the beginning of the episode does she fail to stop herself, and even stings him about an interview in Forbes celebrating his success at ATN.

In "Kantishire" the play between the two brings out into the world what we all knew, but is kept as a vague truth.

"You're not good enough for me," she states, "I'm big on you in some respects. That's why you want me, that's why you love me. Even though I do not love you. But you want me anyway."

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Souls are boring.

"Heirs" Season 3 Episode 9 (Photo: Screenshot, HBO)

Indeed, Tom remained loyal, remained loving all along.

Even when Shiv supported his face in throwing him to the dogs to save the company, even when she ignored when he trembled in front of her and saw before his eyes the life that awaited him in prison.

And precisely when it seemed that he would never change again, that he would continue to absorb and absorb because this is his destiny, something was broken in him.

One time too many, again the woman he loves treated him with appalling casualness.

Boasts of a plot to oust Logan and the power she is expected to hold in her hands, with a complete lack of interest in the implications of the move on her partner.

He was, as usual, a marginal tool in the chain, ATN's stamp on the "medical circumstances" that would force Logan to vacate his seat.

"Do you want to come with me? Sporos?" Tom asks Greg.

This is another of the great virtues of this character, the relentless control and references to historical figures.

Sporos was a handsome and young slave whom Emperor Nero Sears married and married, for he claimed that his outward appearance was reminiscent of his late wife, Popia.

Sporos accompanied the emperor in public appearances, wearing the traditional dress of the emperor's wives.

Greg is now the replacement for Shiv, the thing closest to a partnership that is not the original ideal.

"Do you want to make a deal with the devil?", He asks, before the most innocent man in "Heirs" replies, "What will I do with a soul anyway? Souls are boring."

The slaves rose on the masters, and they did not even need a cloak.

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Find the human remnants left in them.

"Heirs" Season 3 Episode 9 (Photo: Screenshot, HBO)

brotherly Love

For an entire season, Kendall courted his brother and sister, hoping time and time again that they would hook up with him instead of fighting him. At the beginning of the season it almost worked, it seems that Shiv was already convinced during the conversation between the three in the nursery, at Raba's house. But then the fear of a melancholy affair broke the vessels again. Since then there have been Shiv's letter and the humiliation that Roman conveyed to Kendall on his birthday. Kendall came to this episode as the version that the Roy family despises most of all: weak and fragile.

And here, precisely there. The moment their brother is a real general rupture, they suddenly find themselves reunited with the remnants of humanity and compassion left in them. It's not just Roman's friendly bites towards the waiter's killing, the caresses of the head or Shiv's sincere anxious looks, it's mostly the feeling that a border has been crossed even in the Roy family. As long as the power games continued, there were no rules - but once Kendall decided not to play anymore, a spark of cooperation was revealed.

We got used to thinking of Logan as a genius, as a mastermind, as someone who sees three steps ahead of everyone else.

But the truth is that each time he got out of his kids' clutches, it happened thanks to coincidences, a random accumulation of events that accidentally led to his desired outcome: Ken's failure to get to the board meeting in the first season, which allowed him to manipulate the dismissal vote already in his pocket;

Kendall's accident that wiped out the deal that was already closed with Stewie and Sandy Parnes;

The horror of an affair that prevented them from reuniting early this season when they met in secret;

And now Shiv's arrogance, which led Tom to reveal to Logan what his children were planning to do to him.

His great power was in being able to separate and rule over and over again, fueling the passions and fears and jealousy between his children.

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Detects weakness in armor.

"Heirs" Season 3 Episode 9 (Photo: Screenshot, HBO)

While still optimistic and cohesive, Kendall once again becomes a phoenix. Out of the rift and nothingness, he is resurrected against the backdrop of the opportunity who knows how much to finally defeat his father. Once again he identifies a weakness in the armor, the privileged majority that will allow the brothers to block the transfer of control of the company. And now that Roman has finally parted ways with the fantasy of being chosen, they set out to "take Mussolini to the hospital and take over the radio station."

Logan's dance with his children is another proof of the love that nevertheless prevails beneath the cynical flurries of "heirs." Desperate for Kendall and answering, he hangs his separation efforts and his rule in the novel. Hopefully he will prove to him that at least, despite all the disappointments, he will not be part of a revolt against him. When a novel stands on its own, the time comes to take out the dagger. "It has to happen now, I feel it in my bones," he tells Shiv before admitting, "in the end, that's all I have."

The perfect dialogue that took place in "Kantishire" between Logan and Kendall began the talk of good, bad and love.

Confident in his righteousness and chastity, Kendall slapped his father for being evil, just to remind him how many times he had come to his aid during his lifetime.

And here, when Roman begs in the name of love not to sell control of the company, he mentions "You broke in here with guns drawn, you found out they were toy guns, and you're talking about love?".

This is a smart and fascinating sequence of events, which paints all the dynamics in the family in other colors.

Logan is not evil as his children are not innocent, it is just the story they tell themselves that sets them apart.

And in the end, everyone wants what Logan knows how to do best of all: win.

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She is handing over her children again.

"Heirs" Season 3 Episode 9 (Photo: Screenshot, HBO)

Nothing is left in the family

So much energy is invested in an affair and returned in an attempt to make sure their mother marries a prenuptial agreement, which will protect them from a hostile takeover of her holdings in the company. This is actually the seed of calamity. Logan is the symptom of the character of his children, Caroline is the disease. Whoever gave up her children at a young age and had an absent presence in their lives, hands them over again for the apartment in which her new cunning partner lusted. The shock on their faces is not only from the betrayal, but from the reminder of how low they are on her priority scale. Anyone who would prefer to raise dogs from children will not go out and fight for them in a skilled boxer.

And when it's all over and done, Shiv looks up and discovers for the first time Tom who never believed he could exist. One who is able to stroke with one hand and stab with the other, to take care of himself at the expense of others, just as she would do to him if only she had the opportunity. I wonder if now, in secret, she finally feels she loves him.

It was a perfect ending to three extraordinary episodes, which Gallo answers that seemed to get tangled up in itself.

She was still brilliant, beautiful and entertaining, but for quite some time it seemed that "Heirs" was too much in love with this limbo of rope pulls within the Roy family, with no one really winning.

Now for the first time there are clear losers and a big winner.

The creators have finally turned around.

"Wister-Roiko", the family company that held the rifts between the broken people of the Roy family, is no more.

What an amazing base for a fourth season.

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