Finally, a real normal comedy

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• 'Supernormal' or how to laugh at the myth of the perfect woman

I don't know if any critic with sour milk has taken advantage of the title of

, the new Movistar + comedy, to revile it for that, as normal, normal or supernormal.

He would be right and wrong at the same time, because

is a normal comedy, as we have already seen many (it is a

more spicy

or a

with more sugar), and at the same time it is a normal comedy in the sense that it brings the genre to an international standard, which is very difficult: it takes a lot of skill and talent to carry out something so fun and so for all audiences.

It leaves the manners of vaudeville and magazine in which it frolics a good part of the Spanish comedy, freeing it from the curse of José Luis Moreno.

It is nice that it is released after the fall of the ventriloquist of evil.

Miren Ibarguren is more than superb at the head of a cast of honors, very well directed by Emilio Martínez Lázaro, and the series (six episodes of half an hour, an afternoon of very grateful laughter) is written with art and precision by Olatz Arroyo and Marta Sánchez.

Laughter breaks out rhythmically every few scenes.

But what I really like is that it reduces to the everyday and humorous some social issues that are narrated with hysteria and tragedy in the media and, above all, in the crying and hyperesthetic networks.

The relationship between women and power, success, capitalist predation, the vanity of appearances, the desire for perfection, and so on.

With those wickers, one could compose a drama of those who cut their veins before the final credits, the kind that win prizes by the handful, but Miren Ibarguren appears with his razor-sharp comic vision, and life becomes something impossible to take seriously.

You can't ask for more from a comedy.

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