Damascus-SANA
Drama in Syria has taken upon itself, since its inception, to do justice to the Syrian woman and to highlight her as an active and essential part of the complex.
The Syrian actresses were able to be a difficult figure in this drama since its inception by addressing the championship of a group of the most important works that devoted the positive impact of women in society as the first element of renewal and the carrier of life. It was presented by the drama in Syria in 1961 about the poet (Rabaa Al-Adawiya), which starred Fatima Al-Zein, and the series (The Good Seeds) in 1969 did not delay, to be the first work of a Syrian director, Anisa Assaf in the archives of the Syrian Arab TV, in addition to other historical works, including the series (The Revenge of the Zaba). Starring Salwa Saeed and the series (Zenobia), starring the artist Raghda. Many female characters also appeared in the recent era, as she dealt with the life of the singer (Asmahan), who was embodied by the Syrian star Sulaf Fawakherji, and the image of the woman appeared as the final commandant, as well as the character (Fatoum Hays Bays) in the series (Sah Al-Nom). ) embodied by the artist, successHafeez, the drama makers did not neglect to show the role of women as an element that motivates life and presents them in an effective manner, whose role in society is no less than that of men and not just a shadow of him. Women were given a more realistic space, so the image of women was transformed from cooking and creating problems to active and powerful women in series based on history The real Damascus, and portrayed the woman in a real way, and she had an active role in society among them (see Al-Filha).
As for the series (Harareer), it included realistic personalities from Syrian history in the period from 1915 to 1920 whose unique characters are not lost in the community’s mind, such as the journalist (Mary Ajami), who founded the first women’s magazine in Syria, and the activist and writer (Nazik Al-Abed), who headed an association to help the victims of the Syrian revolution Al-Kubra also called for giving women the right to vote. The character of the Aleppo poet (Mariana Marrash) appeared, and she was one of the pioneering women in the press and in social drama. The soap operas whose main pillar is the female component emerged. Most of the characters of the series (Soft Thorns) were singled out for women, which dealt with the young age group of school students, while (Women’s Sessions) dealt with the mature category of women in their thirties and the series (Banat Al Aila), which depicted contradictions that exist in society and dealt with various women’s issues, whether in terms of persecution or idealization in social or emotional relations, and presented the Syrian mother as a role model in education and the ideal treatment of children Such asNabila is the mother of four Damascene girls with beautiful souls full of spontaneity in the series (The Four Seasons). As for the smile, calmness, and classy expression, Samar Sami in the series (Big Dreams), even though she is a housewife, teacher, wife and mother of four young men, excelled in embodying the long-standing women in our country. As a result of the war and defending it according to an influential dramatic line, the series (Shawq) was the best witness, as it focused on the kidnapping of women from different segments, including Rose, the journalist biased towards humanity. Through the character of Riyadh Al-Omari, who defends the rights of women and citizens, and on the other hand, the woman who lives happily while receiving the abuse of her husband, and others who are looking for a husband in magazines and resort to sorcery to keep him under her obedience.
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