Alone on stage, Jacques Bonnaffé takes risks.
Dare everything.
Literally as figuratively.
His appearance as a 1970s senior executive contrasts with what is to come.
There is however a clue, his red socks in overly varnished shoes when the actor appears on the
"edge of the stage"
-
"I am in the business"
, he recalls.
Hands sweeping the air, he presents his funny show on an almost blank stage.
A microphone dominates a tiny, hastily constructed wooden platform.
To discover
Discover the “Best of the Goncourt Prize” collection
Follows a logorrhea of words that Jacques Bonnaffé borrows from the Belgian poet Jean-Pierre Verheggen, to whom we owe the bold
L'Oral et Hardi
.
Random, messy, beautiful lyrics maker!
(So many challenges for automatic correctors.)
"I like these managerial atmospheres"
, launches his interpreter at the speed of a TGV.
Masterful.
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When the theater is played solo with young authors
Long-distance runner of words and gestures, fan of the first hour, Jacques Bonnaffé "verheggenizes" at will as a stammering Loyalman, prolific orator, politician...
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