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Our review of the play A month in the countryside: pastoral serenade

2023-01-15T18:21:55.824Z


CRITICISM – The staging, by Clément Hervieu-Léger, of one of Turgenev's most famous plays, is a slow and painful descent into the hell of jealousy, this disease which eats away at and rots life.


At the back of a bare living room, two women are playing cards, preferably.

They are Anna, the grandmother (Isabelle Gardien), and her companion, Lizaveta (Mireille Roussel).

Slightly below, a man in his thirties, Rakitine (Stéphane Facco), tries to read to a dark-haired woman, also in her thirties.

Her name is Natalia (Clémence Boué), she is the wife of Arkady (Guillaume Ravoire), the rich owner of the place.

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Natalia seems to have her mind elsewhere.

This head elsewhere will be the whole subject of A Month in the Countryside.

A phonograph plays an extract from

Capulets and the Montagues

, by Bellini.

All these beautiful people are bored, but boredom doesn't seem to bother them.

Read alsoClément Hervieu-Léger: “Tourgueniev is theater to the rhythm of the beating heart”

Rakitin is the householder's best friend and the platonic lover of his wife, Natalia.

Suddenly emerges from the garden Alexei (Louis Berthélémy), a young student hired as tutor to Natalia's son.

Immediately, we sense in her angry gaze and gestures that Alexei…

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Source: lefigaro

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