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Cristobal Balenciaga, a very discreet hero on Disney +

2024-01-19T06:16:12.390Z

Highlights: Fashion designer of Spanish origin. In 1937 he crossed the Pyrenees to establish himself in Paris. The choice of narration in long flashbacks, in the context of an interview about the end of his life, is also a classic narrative mechanism which was not necessary, providing no added value. A perfectionist, obsessive about details, who stubbornly refuses to preserve himself. The big and the little story. The developments in the fashion sector towards ever more communication and marketing, its rivalries. And retraces the journey of this modest seamstress.


The platform dedicates a very academic but nonetheless fascinating biopic to the fashion designer of Spanish origin. 6 x 45 minutes to discover from January 19.


Cristobal Balenciaga

 opens the fashion show.

Before

The New-Look

,

in particular, on February 14 on Apple TV+, Iberian fiction takes over the world of French haute couture as it was defined from the 1930s.

To discover

  • TV tonight: our selection of the day

In 1937 precisely, when the Spanish designer (played by Alberto San Juan), famous in his country, crossed the Pyrenees to flee the civil war and try to establish himself in Paris, where Coco Chanel (Anouk Grinberg) already ruled, soon to be joined by Christian Dior (Patrice Thibaud)… The beginnings are difficult, but the designer benefits from the unconditional support of the couple of friends who invested in his “

 house 

”, the Bizkarrondo, and that of his companion and partner, Wladzio d’Attainville , also “

 exiled 

”…

Balenciaga on the right David Herranz

Fiction thus unfolds, over thirty years, the big and the little story.

The Occupation.

Francoism.

The developments in the fashion sector towards ever more communication and marketing, its rivalries... And retraces the journey of this creator, son of a modest Basque seamstress, who will revolutionize women's silhouettes with his tonneau line or the balloon jacket.

A perfectionist, obsessive about details, who stubbornly refuses to expose himself.

His biopic turns out to be very academic in both substance and form.

The choice of narration in long flashbacks, in the context of an interview about the end of his life, is also a classic narrative mechanism which was not necessary, providing no added value.

But, if this choice contrasts with the creative genius of the artist, the portrait is no less fascinating, lifting the veil on the mystery that this discreet man has long wished to preserve.

Source: lefigaro

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