“During Covid, I felt non-essential,”
confides Laura Arend, dancer and choreographer, former student of the National Superior Conservatory of Music and Dance in Lyon.
She challenges herself to change feet.
Heading for the Salpêtrière Institute of Myology:
“It fascinated me.
I met scientists and, pushing a little, I imagined putting dance at the service of this cause usually supported by the Telethon.
No sooner said than done.
Laura Arend applies the technique of the chain of goodwill:
“If all the guys in the world wanted to join hands, it would be a circle…”
One of the first to join her was Charlotte Ranson, coryphée in the corps de Ballet of the Paris Opera and Isabelle de Valcourt in
The Three Musketeers
.
Their momentum is communicative.
Especially since their sensitivity to the cause of muscular diseases affects them fully and it is easy for them to make dancers and choreographers sensitive to their cause.
At the house of…
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