An elegiac, but not cliché-free Franconia crime scene about love in the analog and digital world.
Love is sweet, which can develop analogously: From market day to market day, from honey jar shopping to honey jar shopping, from eye to eye, from smile to smile. A reliable situation, a calm approach, this time you even get into conversation, and since the actor Fabian Hinrichs as Felix Voss has a somewhat formal, but also irresistible figure written on his body, he can now be extremely sympathetic once and for all the commercial to private phase of the relationship: "I could well sink into the dust in front of you." Voss and the lovely honey seller, Maja Beckmann, will go to the movies on Friday.
In the meantime, there is still a case to solve, at the center of which is a messed up relationship and a woman who has relied on dating portals. Now she is dead in her apartment, stabbed with a sushi knife. Because unlike the Nuremberg honey stand love, everything in the dating portal love is extremely spicy. In any case, the knife, the sexy video recordings (which the entire department of the commissariat apparently has to watch on a large screen for research purposes) and the separation of private and professional life. Less conclusive are the conclusions that the new Franconia crime scene draws from it, which now prefers to get lost in elegiac moods and sometimes minimalist music.
Franconia crime scene on TV: general loneliness in the digital world
Or, depending on how you look at it, thinks that "the night belongs to you" shows no interest in devoting yourself to sociological or psychological explanations and is therefore a change of atmosphere. At the same time, the piano and cello are covered and with many serious faces, which can often be seen: the hard-working, obviously decent businesswoman, who becomes a man's wearer at night, and her cool, controlled colleagues; the sensitive young musician, Lukas B. Amberger, who runs the risk of losing the floor, even though Maryam Zaree has a cameo appearance as the warm mother of a piano student.
This has its charms, but also acts like the remnant of an action that once went in a slightly different direction. Then there is the general loneliness in the digital world, which is played out quite clearly against the honey seller and Felix Voss. You shouldn't think that “The night is yours” is more original than it is, just because you are right to envy the honey seller. And Felix Voss too.
Franconia crime scene on TV: The confession after 26 minutes promises too much
"Crime scene: The night is yours", ARD, Sunday, March 1st, 8:15 p.m.
The dead woman in her beautiful apartment: “Unconditional will to kill”, it says early, while director Max Färberböck, who wrote the script with Catharina Schuchmann, creates confusion with many cuts and hints. Apparently it should be made clear that it will not be as easy as it looks at first.
It is not very complicated then, but it is different. In the company where the woman worked, nobody wants to have noticed anything, but some look too significant to be believed. Colleague Hein (!) - you can guess it, because she is played by Anja Schneider - then gets a look and makes a confession much too early in the 26th minute. This is exactly what promises more than can be redeemed.
In this regard, too, analogue love appears more reliable, sympathetic, accompanied by Dagmar Manzel as investigator Paula Ringelhahn, who should not disappear too much because of the sheer depth.
By Judith von Sternburg
