Tosca, more space for women, necessary rose quotas

(ANSA) - ROME, FEBRUARY 01 - "When I understood that Amadeus' phone call was not a joke by Fiorello, the first thought was: run, run, run". To complete the arrangements of the song I loved so much, to think about which covers to choose for Thursday evening, the clothes to wear: Tosca's became "a race against time".
Last minute entry into the list of big names does not feel penalized. "I had seen the official cast. Hopensato that it was a shame to be out of an 'allaBaudo' festival, with many different artists - says the Roman artist -.
But I am convinced that Sanremo is, yes, a great party and a wonderful opportunity to make your projects known, but it is not Lourdes. "And instead, inside her too, an exceptional interpreter who won the festival in 1996 with I would like to meet you for ten years, teamed with Ron.
On stage he says he wants to "ideally bring all the artists of the family I belong to. And all the female artists with whom I have shared the stage and the emotions in these years. Those who despite the closings, work hard, smile, sonomamme, companions, rocks and dreamers. And they never give up. " Ledonne, hot topic from the parts of the festival. "I think the attention has shifted: let's talk about the effects and not the causes of the problem. I'd like to go deeper, talk to JuniorCally, ask him why he writes those texts". But censorship does not, she says resolutely. "No need." Tosca invites rather to concentrate on how much female music is not considered.
"Women must be valued in all fields". Even using the rose quotas. "Sure. We should live in a society that knows how to recognize skill, but as long as it doesn't, that's also a solution." (HANDLE).