In recent weeks, her song "Party" plays on the radio, and this weekend she released a debut album with strong female writing, a musical background that combines many styles and a recent production, Moalem is a very intriguing artist

It is impossible not to refer to two phenomena that happen today in Israeli music, and operate in opposite directions. On the one hand, opponents of the women's singing who seek to clear the local musical space from the sounds of singers. On the flip side, a deluge of young singers coming into this field and joining great women who brought and brought to Israel music some of its most beautiful moments.
As someone who does not really talk about this crazy aggravation in Halacha, I applaud every drop in this flood. Last week she entered the arena, with a confident and determined step, Jasmine Moalem. If you've heard the song "Party" on the radio for the past few weeks, you've probably realized that something's going to happen here.
So what happened is "Lion." A debut album of a 24-year-old girl who doesn't try to sound like anyone else, who doesn't frame herself in any style, who knows how to expose the cracks in "How Sweet" and then completely dismiss them as she performs "Money" (for those who decided on this song order - Giant Aspire), who chooses a team of friends / producers who create accurate soundscapes, who writes openly and courageously with the Kamikaze Squadron, who does all this without the help of any reality show and a relaxed smile on their lips.
They have a musical family with a record of traveling the world; Musical background ranging from Bob Marley, Mozart and Om Kollum; A message of strong, proper and unapologetic femininity; And an updated, colorful style mix. Moments of piano or acoustic guitar gradually become sexy electronics, songs that start like pop cut to the end of a b & b, and end in hip-hop. Her submission juggles through the songs and manages to showcase some of her different sides and moments. This ability - at the same time to hold on several sides or ends, to move across a spectrum and not to be binary - is not only a reflection of the generation's spirit, but, when it comes to creator and performer, evidence of maturity and maturity that is rare to meet.
You have to dwell on the words of Moalem. Her writing is good, really good, but it's not the most intriguing thing about her. Her writing is as varied as the styles in which she works. Not just at the structural level (pop songs vs. rap clips), but the ability to write a few voices of her own. She is strong and fragile, loving and liberating, jealous and smiling, innocent and experienced. Perhaps here is the greatest power of "lion" - his ability to make me see, even after a few listens, his creator as a very round, complete and intriguing figure.