What a wonderful idea of the Gärtnerplatztheater: In these times when we all long for closeness, they let five tenors belt out the most beautiful love songs.
The audience is ecstatic.
In the end it rains confetti hearts.
The hearts of the audience have long since soared.
Inspired by the five gentlemen on the stage of the Gärtnerplatztheater, who do what tenors have to do: languish, advertise themselves, exude charm - and caress their own ego a little.
If you sound like that, you're welcome.
Of course, this recital, which the house is now resuming due to its success, is also a singing contest.
Which passionate soloist misses the opportunity to show his skills to the full - especially when four competitors are on stage?
Juan Carlos Falcón, Lucian Krasznec, Maximilian Mayer, Gyula Rab and Alexandros Tsilogiannis understand perfectly how to play with the starting situation.
When Krasznec, this gifted rampage pig, ambushes the others with the knife and they try to outdo each other on “May I have a Moment” from Brad Carroll's musical “Lend me a Tenor”, the feeling for self-irony proves in the most charming sense.
This is not serious competition, it is childlike fun, which the visibly ecstatic audience is carried away by and repeatedly seduced into shouts of "Bravo".
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How should a woman decide?
You just can't get enough of these five tenors.
Enchanting "heartbreaker" evening in the @gaertnerplatztheater.
On November 4th, @lucian_krasznec, # juancarlosfalcón, @ maximilian.mayer.tenor, @gyularabtenor and @alexandrostsilogiannis will be singing heartbreaking love songs again.
Schmacht ❤️ # gärtnerplatztheater #herzensbrecher #tenor #tenore #opera #oper #walzer #musik #liederabend #lieder #lieder #music #queen
A post shared by Kultur Münchner Merkur (@kultur_muenchnermerkur) on Oct 20, 2020 at 12:57 PM PDT
On evenings like this it becomes clear how much such hours are missing.
This live experience, this tingling sensation that fills the body when music acts directly on it.
The singers feel that too.
They seem moved at the end of each tear.
And start even more energetically, as soon as the orchestra under the direction of Andreas Kowalewitz starts the next heartbreaking number.
In the grand finale - a mix of Queen hits and Oktoberfest swaying with the audience - it's all over.
“The stupid tenor always gets the lady” is the title of a booklet published by Reclam-Verlag.
Why it is like that?
If you didn't know, you know now.
