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Megan Thee Stallion, AnnenMayKantereit, Gentleman: Abgehört - album of the week

2020-11-21T21:50:49.254Z


Female empowerment hymns with killer hooks and sexy physical use: “Good News” shows why US rapper Megan Thee Stallion is celebrated as a superstar. Our album of the week.


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- / dpa

Megan Thee Stallion - "Good News"

Megan Jovon Ruth Pete had to experience what the marginalization of black women in America feels like in July when rapper Tory Lanez shot her in the foot after a party in the Hollywood Hills.

In the car, in an argument she wasn't even involved in.

In order not to let things escalate in a middle-class white neighborhood, Megan lied to the police that she cut herself.

And what was the thanks?

Lanez, now indicted, denies his guilt to this day - and Megan was branded a liar by his fans on the Internet when she finally made public that she had actually been shot.

At a virtual concert that the 25-year-old, known as rapper Megan Thee Stallion, gave at the end of August, you could still see that she had to perform carefully. 

Andreas Borcholte's playlist

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Christian O. Bruch / laif

1. Megan Thee Stallion: Body

2. Tayla Parx: System

3. Marina: Man's World

4. Dry Cleaning: Scratchcard Lanyard

5. Elda: 8 meters

6. Babeheaven: Cassette Beat

7. Bonnie Banana: Sexy Planet

8. La Femme: Cool Colorado

9. Cabaret Volataire: The Power (Of Their Knowledge)

10. Martin Gore: Mandrill

Go to Spotify playlist Right arrow Go to Apple Music playlist Right arrow

Now it is over.

Megan Thee Stallion is the best and most relevant rap artist that the genre has to offer, that was already indicated in the past years with her mix tapes and EPs, now her debut album "Good News" has been released.

It is the triumphant end to a year in which the Houston rapper managed to close ranks with R&B queen Beyoncé, who also came from Texas (in the remix of the hit single "Savage"), by making it onto the cover of "Time" - Magazine and made it into the list of the “100 Most Influential People” - and finally, together with colleague Cardi B and the pornographic track “WAP”, set a new standard in female-sex-positive hip-hop canon.

And then a self-drunk guy shoots you in the foot.

It couldn't be more symbolic. 

Correspondingly, Tory Lanez gets his fat off in the first piece of "Good News": "And if it weren't for me, same week, you would have been indicted (Should've let them lock your ass up)," she says in "Shots Fired," a barrage of contempt in the elegant old-school flow that has become the trademark of Megan Thee Stallion.

Breonna Taylor, the medical assistant who was shot by police in Kentucky, is also mentioned in this opening statement: Megan Thee Stallion has been in a public dispute with the Attorney General of the US state for months, accusing him of protecting the officers involved. 

The rapper has long since made herself a spokeswoman for degraded black women, apart from her music.

In a clever opinion piece for the »New York Times« she makes a plea to be allowed to present her body as sexy as it suits her, and follows the tradition of the late US politician and civil rights activist John Lewis: Everyone who is »good trouble, necessary trouble, "run the risk of being attacked by those who have settled comfortably in the status quo," she wrote: "But you know what?

I'm not afraid of criticism. "

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Good news

Performer: Megan Thee Stallion

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Performer: Megan Thee Stallion

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On the one hand, it doesn't get more political than in “Shots Fired” on “Good News”.

On the other hand, the constant renegotiation of the battle zone between the sexes is of course a political act. Megan Thee Stallion poses as a “bad bitch” in this arena, as a super cool checker who encourages men not to give in to self-confident women, but to celebrate them: “ Get it for a bad bitch, spend it for a bad bitch / If you got some money, nigga, trick on a bad bitch «, is one of her killer choruses that encourage you to join in immediately.

These consistently perfect pop hooks also help over a certain monotony of the album.

Megan Thee Stallion has a lot to say, the beats are accordingly unspectacular to sparingly efficient: kick, snare, bass, fizzy-fizzy percussion, soul or classic rap sample, and the track, which rattles between the nineties and modern trap, is ready.

Only in the seventh track, when R&B muse SZA sings along in “Freaky Girls”, does the hitherto breathless but also breathtaking staccato change.

The other guests, hip rap stars like Lil Durk, DaBaby, 2Chainz and Big Sean, are little more than seemingly threatened cues.

Heard on the radio

On Wednesdays at 11 p.m. there is a tapping mixtape on the Hamburg web radio byteFM with many songs from the records discussed and highlights from Andreas Borcholte's personal playlist.

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The only failure of the album is Popcaan's sperm and cock patois in the sticky Caribbean porn soundtrack "Intercourse".

But that is forgivable as long as there are juicy, but clever and body-positive bangers like »Body« (»Body-ody-ody-ody-ody-ody-ody-ody, Body crazy, curvy, wavy, big titties, lil ' waist ") or the most beautiful anti-ballad that has been heard in a long time:" Blah, blah, blah, la-la-la / If you wanna leave, then bye, bye, bye / I'm a big girl, so I won't cry / Don't sing me a lullaby-by-by, "whistles the rapper, who is also a passable singer, in" Don't Rock Me To Sleep ".

She just wants to be pounded to sleep, according to her rules.

Fair enough.

The good news is: As with Megan's fearless predecessors, Jill Scott, Lil Kim or Missy Elliott, who rapped "sassy, ​​moody, nasty" about their pussy and unrestrained hornyness, the addressees of these empowerment hymns are primarily female, but Even as a man, one can - and should - indulge in her compelling charm.

(8.5)

Listened briefly:

AnnenMayKantereit - »12«

Let's put it freely after Guido Maria Kretschmer: Some clothes do something for you - and some reveal problem areas: Your new suits as corona chroniclers are a few sizes too big for the Cologne poetry album rockers AnnenMayKantereit, so Henning May can still cope with the present with a hollow voice «Breathe into the microphone: 12 sketches that would have been better left in the shutdown.

(1.2)

Tayla Parx - "Coping Mechanisms"

Tayla Parx has been writing hits for Ariana Grande, Khalid or Panic for years!

At The Disco - and tried to sound like the pop stars on their debut last year.

That was rather poor.

But now the US artist is reflecting on her original preferences with a casual, snappy break-up album and has kept the best songs to herself: lots of funk, soul and house in a contemporary chart sound.

(7.8)

Gentleman - »Blue Hour«

Well, get in on the deal with the Babylon of TV entertainment (RTL / Vox) - you have to do everything so that the hit and star gang on »Sing my Song« can re-enact your tunes without dangerous patois depths and language barriers : Gentleman, Germany's riddim king from Cologne, sings his reggae pop in German now.

More irritating than

irie

.

(5.0)

Cabaret Voltaire - "Shadow Of Fear"

What is now classified under industrial, EBM and ultimately techno, received decisive electronic impulses from the British post-punk band Cabaret Voltaire around 1980.

The first album in 26 years is actually a solo work by Richard H. Kirk: paranoid vocal scraps, dystopian rustling, clapping and hissing, chills-inducing fear-trance.

So cutting edge.

(8.0)

Source: spiegel

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