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Ronen Chen in a collection that women really like to wear - Walla! Fashion

2021-04-01T13:43:32.598Z


Ronen Chen presented at the Tel Aviv Fashion Week a feminine collection in earth tones with pleasant fabrics and beautiful silhouettes


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Ronen Chen in a collection that women really like to wear

Ronen Chen presented a stunning earth-colored collection against the backdrop of the sands of the Eretz Israel Museum, Shlomit Azrad abandoned her wedding dresses and moved on to an evening collection with fringes and asymmetrical cuts, and the promising designers of the Lottery Greenhouse presented an agenda of unique waste and textiles.

Tuesday summary

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  • Tel Aviv Fashion Week

  • Age of Ross

  • Ronen Chen

Eleanor Dvir

Thursday, 01 April 2021, 09:00 Updated: 09:06

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Ronen Chen - Thyme Fashion Week Tel Aviv 2021 (Photography and Production - Rape Entertainment and the Israeli Fashion Channel - Broadcast on Network 13)

Ronen Chen

The third show morning of Fashion Week opens with a super-local sign with the summer collection of Ronen Chen, one of the most prominent designers in the country identified as the one who manages to formulate collections that translate the international experience into Israeli women.

It is a fragile and not-so-obvious balance that combines practical comfort with a refined up-to-date fashion statement alongside flattering cuts, with the result being clothes that women love to wear.



Even before the models leave and unveil the new collection, Chen marks the territory with a classic match that always works - local natural scenery, daylight and a modern dance piece performed by the Batsheva Ensemble.

The reserve dance group of the Israeli dance troupe were all dressed in a model that presents a local interpretation of the classic trench coat, which at times seems like a rather evolutionary khaki evolution.

Ronen Chen exhibits in the sands of the Eretz Israel Museum (Photo: Avi Waldman)

Needless to say, Chen's summer collection is about a vacation we all desperately need.

While the name is French, Les vacances, our dream is a vacation in Paris or anywhere else in the region, and the regions of inspiration lie in "a naive and imaginary vacation in Africa of other times".

also good.

On the perfect runway in one of the beautiful outdoor corners of the Eretz Israel Museum, the models came and went in an authentic and liberated flow, just like the items on their bodies.

Most of all, the pleasantness stood out, in the shadows, in the natural fabrics, in the shades of sand and desert, along with hamra orange, faded pastel green and of course black and white, which is impossible without them.

The extra-touch was completed by the stunning fabric hats that were sewn and designed in collaboration with the Anar 5777 brand.

The vacation we all need (Photo: Avi Waldman)

Cosiness in the shadows, natural fabrics and shades of sand (Photo: Avi Waldman)

Clothes that women really like to wear (Photo: Avi Waldman)

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Shlomit Azrad

Wedding dress and evening wear designer Shlomit Azrad focused this year on a runway collection that mostly consists of less bridal and more disposable and daring designs, the kind you usually see in fashion photos, invested clips or on red carpets at music industry ceremonies.

The Sparks on the planet collection features a range of elements with elements that combine references from the worlds of sports and male tailoring alongside the use of trendy motifs such as bold shoulders, high-volume pockets, fringes and asymmetrical cuts.

There were quite a few surprising items like a coat made of nylon fabric in blue, or shiny shorts, and it is a pity that not enough focus was given to the charming earrings of the local label Nuritami.

Shlomit Azrad in one-off and bold designs (Photo: Avi Waldman)

Less wedding dresses, more atmosphere of the music awards ceremony (Photo: Avi Waldman)

Stunning Nuritmi earrings (Photo: Megan Maimon)

Glossy fabrics, fringes and sequins.

Shlomit Azrad (Photo: Megan Maimon)

Age of Ross

The third day of the exhibition was signed by designer Idan LaRoss with a track designed as walking paths in the parking lot of the museum's ballroom.

The vehicles are related to the sponsorship he received from Ross, an understandable and plausible matter, but it was hard to ignore the sense of discomfort that struck us in the first few seconds of the video in which the amazing Anya Buxtein was undressed with and on one of the cars.



As a designer whose main activity is in the local event world, Ross has rightly focused on models for the relevant audience and the gathering season that is set to explode here soon in case the contagion factor does not arise.

In the guest arrival parking lot he drafted, we saw outfits that would suit the Israeli wedding audience: elegant dresses, overalls and sets made of shiny and shimmering fabrics in shades of black, silver and red alongside mottled and woven.

The silhouettes included, among other things, successful shell models, accentuated shoulders and asymmetrical cuts alongside slits and deep cleavages.

Ania Buxtein for the era of Ross (Photo: Avi Waldman)

Shiny and glittering fabrics, the backdrop - Alfa Romeo cars (Photo: Avi Waldman)

There were also trendy print combinations.

Idan LaRoss (Photo: Avi Waldman)

There was also a respectable presence of men in shiny suits (Photo: Avi Waldman)

The Lottery Incubator

Ariel Toledano, who presented as part of the Mifal HaPais' designer incubator project, is the only one from the selected group who is already established as a designer in the local landscape, and this is clearly evident in the commercial and cohesive line presented on the track.

This is the sixth year that Mifal Hapayis continues to support Israeli fashion designers through the project in which the selected designers receive close professional guidance from leading mentors in the industry.



Toledano chose to address the immigration of North African Jews to Israel and the fashion they brought with them: the Shatnaz of the regional and colonialist culture that ruled these areas - France, Britain and Italy.

Undoubtedly an excellent starting point in a variety of areas.

Together with the artist Mickey Avni and inspired by cards from the 18th century, a monochromatic print of fabrics in motion.

The models themselves featured eighties silhouettes in an up-to-date trendy translation for casual systems as well as for more fancy evening wear.

Ariel Toledano to Mifal Hapayis Greenhouse (Photo: Avi Waldman)

Nofar Duchovny in colorful clothing sets (Photo: Sivan Poppy)

Brothers Denis and Archie Ryabko, owners of the Havie Manufacture label, went on an agenda of recycling military waste, mostly tents from the 1940s, and gave it a new benefit in line with the desired sustainability trend.



The "Soft Beast" collection by designer Nofar Duchovny referred to the connection that exists between female power and softness, presence and a sense of freedom in clothing systems in bright and uniform colors along with sophisticated cuts in relaxed silhouettes.

Amit Luzon and Eyal Eliyahu behind Idish, an Israeli-Palestinian brand (Photo: Sivan Poppy)

Another expression of the spirit of the period can be found in the collection of Amit Luzon and Eyal Eliyahu behind Idish, a brand they define as Israeli-Palestinian that specializes in designs that combine cultural heritage and Middle Eastern craftsmanship with contemporary interpretation.



The CAMOUFLAGE collection by designer Yifat Finkelstein presents a new expression of Jerusalem's architecture, human diversity, spirituality and extremism, which have become an integral part of the content world of its men's clothing brand.

Finkelstein's designs were sewn from a unique textile composed of hand-dyed fabric strips resulting in a fresh abundance runway in wide silhouettes that allow the wearer to be free within the space between the garment and the body.

CAMOUFLAGE collection by designer Yifat Finkelstein (Photo: Sivan Poppy)

Dennis and Archie Ryabko, owners of the Havie Manufacture label (Photo: Sivan Poppy)

Jerusalem-inspired menswear syndrome also continued with Shady Francis of Gilton SFM with the LINDA 2021 collection in which each model points to a different street in the city.

His interpretation of the confusion of identities brings together edges of soft and hard or transparent and opaque presented by combinations of silk and wool in tailored silhouettes combined with looser cuts.



Anat Friedman's collection presented reasoned color points in items with a precise balance between graphic minimalism and volume and shape games.

Friedman's models crave to wear between a midi-length striped dress or a white button-down dress topped with a tailored, black wrap set with an orange waist belt.

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Source: walla

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