The National Police found this Monday the corpse of the actress Verónica Forqué, 66 years old (turned last December 1), who took her own life in her home in Madrid, according to police sources confirmed to EL PAÍS.
A person called 112 at 12:49 to report a suicide attempt in a house located at number 7 Víctor de la Serna street.
To the domicile, toilets from Summa 112 were displaced, which could only confirm the death.
Verónica Forqué had everything in favor and everything against to be a movie star.
Daughter of producer and director José María Forqué, from childhood she had access to the sets.
But for that very reason there were some reluctance in his future.
Because he began in the cinema in his father's films, although he studied Dramatic Art and then Psychology (which he did not finish).
Over time, her special physique, her messy red hair, her talent for using an unmistakable voice in both comedy and drama, made her one of the most popular interpreters in Spain.
And one of the most awarded: together with Carmen Maura, he holds the record for the highest number of Goya, four, which Forqué achieved with only five nominations.
And with Emma Suárez he also shares the honor of winning two Goya awards in the same edition.
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Verónica Forqué's career, in pictures
His childhood was spent between the classrooms of the Italian School and the Retiro Park, since his family lived a few blocks away.
And from those years he fondly remembered visits to the Prado Museum with his father as a guide: “My father loved painting.
As a child, she would take my brother and me for many days and explain Brueghel and El Bosco to us, but she would especially stop at Goya [her father was from Zaragoza] and his last stage so surreal.
He was not a scholar and he explained it to us in his own style, always wonderful ”.
A vegetarian, a lover of meditation, she passionately defended her profession, which she defined as: "The work of an actor has to do with the unconscious."
Of herself she said: “I have been very adventurous and daring.
I knew what I wanted ”.
Although he started in the cinema in 1972, with
Mi querida senorita,
by Jaime de Armiñán, and shot under the direction of his father, Carlos Saura and Manuel Gutiérrez Aragón, to name three examples of filmmakers who helped in his ascending career, no it was until 1984,
with
Pedro Almodóvar's
What have I done to deserve this?,
when it reached popularity. After knowing his death, from El Deseo, the production company of Almodóvar, they have sent a message of consternation: “The void that it leaves in our lives and our cinema is irretrievable. An extraordinary actress and an irreplaceable person with whom we had the honor of working and sharing life has left. Have a good trip, Verónica ”. With Almodóvar he would repeat in
Matador
and in
Kika.
For several decades, Forqué benefited a whole generation of directors with his talent. With Fernando Trueba he made
Be unfaithful and don't look with whom
and
El año de las Luces
(his first Goya); with Fernando Colomo she appeared in
Bairse al moro
(the only time she was a Goya candidate she did not win) and
La vida Alegre
; With Manuel Gómez Pereira he worked in
Salsa Rosa, why do they call it love when they mean sex?
and
Queens.
With his partner for more than three decades, Manuel Iborra, he filmed
Orquesta Club Virginia, El tiempo de la feliz, Pepe Guindo, Clara y Elena
and
La dama boba.
And with Luis García Berlanga
Moros y Cristianos.
Two other Forqué films will be released in the coming months:
A thousand kilometers from Christmas,
by Álvaro Fernández Armero, and
Espejo, mirror,
by Marc Crehuet.
The actress Verónica Forqué, in a scene from the movie 'El Deseo', in 1993.
During an interview with EL PAÍS in April 2019, in the theatrical promotion of
The Last White Rhinoceros,
in which he embodied death, he explained that he was aware that his star was fading in the cinema, although in return that led him to enjoy of the theater. “It is a reality that when actresses are turning years old, we disappear from the cinema. There are far fewer interesting characters that they can offer you. It is true that something seems to be changing, especially due to the appearance of women screenwriters ”. At that time he had filmed
Salir del closetro
, by Àngeles Reiné, in which he played a grandmother who decides to announce her gay wedding with a soulmate (Rosa María Sardá), and the Netflix series
Christmas Days
, with Charo López, Ángela Molina and Victoria Abril. “I went through a very hard depression four years ago,” he recounted in that spring of 2019, “and I spent it on stage. It was the theater that gave me life. It was the only two hours of the day when I forgot everything. I've been happier on stage than off stage. The theater forces you to evade your own reality because it requires enormous concentration and that is wonderful. It is something very liberating ”.
Proof of that passion was his Carmela in the first performance
¡Ay, Carmela !,
by José Sanchis Sinisterra, or his appearances on stage with ¡
Sublime decision !, Bairse al moro, Doña Rosita la soltera,
La abeja reina
(2009) and
Shirley Valentine
(2011).
In addition, he directed several plays in the theater, such as a version of
La tentación vive arriba
adapted to Madrid in 2000, or in 2009 the montage of
Adulterios,
by Woody Allen.
Verónica Forqué with Tito Valverde and the rest of the actors from the television series 'Pepe y Pepa'. Sogepag
On television in series such as
Ramón y Cajal
(1982),
El Jardin de Venus
(1983),
Platos rotos
(1988),
Eva y Adán, Agencia matrimonial
(1990-1991) and
Pepa y Pepe
(1995), directed by Manuel Iborra .
Between 2014 and 2015, she participated in the eighth season of the fiction series
La que se avecina
, playing the secondary character of Teresa Sáenz de Tejada - mayor.
For decades, Forqué was one of the actresses most loved by the public.
“I am aware that people love me.
It is something that I value very much, that I take care of because it is a precious gift.
I am not a complicated person and I think I have a good character.
It is something that I have been working on and that people notice ”.
Vanesa Romero, Eduardo Navarrete, Verónica Forqué, Miki Nadal and Samantha Hudson, in one of the tests of the sixth edition of 'MasterChef Celebrity'.
Of their long relationship that lasted until 2014, Manuel Iborra, with whom he began dating in 1981, recalled: “I did not discover freedom until I was 59 years old.
I left my parents' house when I was 21 years old, and I have always lived with someone, the last ones with the father of my daughter until I separated.
He had never tasted freedom.
I, surely I have not known how to do it well and I have spent my life asking for permission, which is something that I talk a lot with my psychoanalyst.
Now, my life is made, I don't have to discover the gunpowder and I do what I want.
I am happy.
I do not ask for more".
The last appearance of the actress was the TVE
MasterChef Celebrity
cooking program
that she decided to leave out of exhaustion before being expelled two months ago: “You have to be consistent and if I can't take it anymore, I can't take it anymore”.
Filmography
1972. My dear young lady, Jaime de Armiñán
1974. A different… couple, José María Forqué
1975. País, SA, Antonio Fraguas, Forges
1976. Madrid, Costa Fleming, José María Forqué
1976. The second power, José María Forqué
1977. Daddy's war, Antonio Mercero
1977. The last flag, Ottokar Runze
1978. The trout, José Luis García Sánchez
1978. The blindfolded, Carlos Saura
1979. Times of constitution, Rafael Gordon
1980. The song of the cicada, José María Forqué
1984. What have I done to deserve this ?, Pedro Almodóvar
1985. Be unfaithful and don't look with whom, Fernando Trueba
1986. Matador, Pedro Almodóvar
1986. The year of lights, Fernando Trueba
1987. The happy life, Fernando Colomo
1987. Moors and Christians, Luis García Berlanga
1989. Get off the Moor, Fernando Colomo
1990. Don Juan, my dear ghost, Antonio Mercero
1991. Pink sauce, Manuel Gómez Pereira
1992. Orquesta Club Virginia, Manuel Iborra
1993. Kika, Pedro Almodóvar
1993. Self-love, Mario Camus
1993. Why do they call it love when they mean sex ?, Manuel Gómez Pereira
1994. Seven thousand days together, Fernando Fernán Gómez
1995. What are women laughing at women ?, Joaquín Oristrell
1997. The time of happiness, Manuel Iborra
1999. Pepe Guindo, Manuel Iborra
2001. Clara and Elena, Manuel Iborra
2001. I Love You Baby, Alfonso Albacete and David Menkes
2001. Sin shame, Joaquín Oristrell
2005. Reinas, Manuel Gómez Pereira
2006. La dama boba, Manuel Iborra
2008. Maddened, Juan Luis Iborra
2012. Ali, Paco R. Baños
2016. We have to talk, David Serrano
2018. Getting older and other problems, Clara Martínez Lázaro
2019. Remember me, Martín Rosete
2020. Come out of the closet, Ángeles Reiné
2021. A thousand kilometers from Christmas, Álvaro Fernández Armero
2021. Mirror, mirror, Marc Crehuet