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Actress Verónica Forqué found dead at her home in Madrid

2021-12-13T15:00:31.195Z


The interpreter was 66 years old and, according to the first investigations, she has taken her own life. Winner of four Goya, she was one of the most popular and beloved actresses, with a great talent for comedy


The National Police found this Monday the corpse of the actress Verónica Forqué, 66 years old (turned last December 1), who took her own life in her home in Madrid, according to police sources confirmed to EL PAÍS.

A person called 112 at 12:49 to report a suicide attempt in a house located at number 7 Víctor de la Serna street.

To the domicile, toilets from Summa 112 were displaced, which could only confirm the death.

Verónica Forqué had everything in favor and everything against to be a movie star.

Daughter of producer and director José María Forqué, from childhood she had access to the sets.

But for that very reason there were some reluctance in his future.

Because he began in the cinema in his father's films, although he studied Dramatic Art and then Psychology (which he did not finish).

Over time, her special physique, her messy red hair, her talent for using an unmistakable voice in both comedy and drama, made her one of the most popular interpreters in Spain.

And one of the most awarded: together with Carmen Maura, he holds the record for the highest number of Goya, four, which Forqué achieved with only five nominations.

And with Emma Suárez he also shares the honor of winning two Goya awards in the same edition.

More information

GALLERY |

Verónica Forqué's career, in pictures

His childhood was spent between the classrooms of the Italian School and the Retiro Park, since his family lived a few blocks away.

And from those years he fondly remembered visits to the Prado Museum with his father as a guide: “My father loved painting.

As a child, she would take my brother and me for many days and explain Brueghel and El Bosco to us, but she would especially stop at Goya [her father was from Zaragoza] and his last stage so surreal.

He was not a scholar and he explained it to us in his own style, always wonderful ”.

A vegetarian, a lover of meditation, she passionately defended her profession, which she defined as: "The work of an actor has to do with the unconscious."

Of herself she said: “I have been very adventurous and daring.

I knew what I wanted ”.

Although he started in the cinema in 1972, with

Mi querida senorita,

by Jaime de Armiñán, and shot under the direction of his father, Carlos Saura and Manuel Gutiérrez Aragón, to name three examples of filmmakers who helped in his ascending career, no it was until 1984,

with

Pedro Almodóvar's

What have I done to deserve this?,

when it reached popularity. After knowing his death, from El Deseo, the production company of Almodóvar, they have sent a message of consternation: “The void that it leaves in our lives and our cinema is irretrievable. An extraordinary actress and an irreplaceable person with whom we had the honor of working and sharing life has left. Have a good trip, Verónica ”. With Almodóvar he would repeat in

Matador

and in

Kika.

For several decades, Forqué benefited a whole generation of directors with his talent. With Fernando Trueba he made

Be unfaithful and don't look with whom

and

El año de las Luces

(his first Goya); with Fernando Colomo she appeared in

Bairse al moro

(the only time she was a Goya candidate she did not win) and

La vida Alegre

; With Manuel Gómez Pereira he worked in

Salsa Rosa, why do they call it love when they mean sex?

and

Queens.

With his partner for more than three decades, Manuel Iborra, he filmed

Orquesta Club Virginia, El tiempo de la feliz, Pepe Guindo, Clara y Elena

and

La dama boba.

And with Luis García Berlanga

Moros y Cristianos.

Two other Forqué films will be released in the coming months:

A thousand kilometers from Christmas,

by Álvaro Fernández Armero, and

Espejo, mirror,

by Marc Crehuet.

The actress Verónica Forqué, in a scene from the movie 'El Deseo', in 1993.

During an interview with EL PAÍS in April 2019, in the theatrical promotion of

The Last White Rhinoceros,

in which he embodied death, he explained that he was aware that his star was fading in the cinema, although in return that led him to enjoy of the theater. “It is a reality that when actresses are turning years old, we disappear from the cinema. There are far fewer interesting characters that they can offer you. It is true that something seems to be changing, especially due to the appearance of women screenwriters ”. At that time he had filmed

Salir del closetro

, by Àngeles Reiné, in which he played a grandmother who decides to announce her gay wedding with a soulmate (Rosa María Sardá), and the Netflix series

Christmas Days

, with Charo López, Ángela Molina and Victoria Abril. “I went through a very hard depression four years ago,” he recounted in that spring of 2019, “and I spent it on stage. It was the theater that gave me life. It was the only two hours of the day when I forgot everything. I've been happier on stage than off stage. The theater forces you to evade your own reality because it requires enormous concentration and that is wonderful. It is something very liberating ”.

Proof of that passion was his Carmela in the first performance

¡Ay, Carmela !,

by José Sanchis Sinisterra, or his appearances on stage with ¡

Sublime decision !, Bairse al moro, Doña Rosita la soltera,

La abeja reina

(2009) and

Shirley Valentine

(2011).

In addition, he directed several plays in the theater, such as a version of

La tentación vive arriba

adapted to Madrid in 2000, or in 2009 the montage of

Adulterios,

by Woody Allen.

Verónica Forqué with Tito Valverde and the rest of the actors from the television series 'Pepe y Pepa'. Sogepag

On television in series such as

Ramón y Cajal

(1982),

El Jardin de Venus

(1983),

Platos rotos

(1988),

Eva y Adán, Agencia matrimonial

(1990-1991) and

Pepa y Pepe

(1995), directed by Manuel Iborra .

Between 2014 and 2015, she participated in the eighth season of the fiction series

La que se avecina

, playing the secondary character of Teresa Sáenz de Tejada - mayor.

For decades, Forqué was one of the actresses most loved by the public.

“I am aware that people love me.

It is something that I value very much, that I take care of because it is a precious gift.

I am not a complicated person and I think I have a good character.

It is something that I have been working on and that people notice ”.

Vanesa Romero, Eduardo Navarrete, Verónica Forqué, Miki Nadal and Samantha Hudson, in one of the tests of the sixth edition of 'MasterChef Celebrity'.

Of their long relationship that lasted until 2014, Manuel Iborra, with whom he began dating in 1981, recalled: “I did not discover freedom until I was 59 years old.

I left my parents' house when I was 21 years old, and I have always lived with someone, the last ones with the father of my daughter until I separated.

He had never tasted freedom.

I, surely I have not known how to do it well and I have spent my life asking for permission, which is something that I talk a lot with my psychoanalyst.

Now, my life is made, I don't have to discover the gunpowder and I do what I want.

I am happy.

I do not ask for more".

The last appearance of the actress was the TVE

MasterChef Celebrity

cooking program

that she decided to leave out of exhaustion before being expelled two months ago: “You have to be consistent and if I can't take it anymore, I can't take it anymore”.

Filmography

1972. My dear young lady, Jaime de Armiñán


1974. A different… couple, José María Forqué


1975. País, SA, Antonio Fraguas, Forges


1976. Madrid, Costa Fleming, José María Forqué


1976. The second power, José María Forqué


1977. Daddy's war, Antonio Mercero


1977. The last flag, Ottokar Runze


1978. The trout, José Luis García Sánchez


1978. The blindfolded, Carlos Saura


1979. Times of constitution, Rafael Gordon


1980. The song of the cicada, José María Forqué


1984. What have I done to deserve this ?, Pedro Almodóvar


1985. Be unfaithful and don't look with whom, Fernando Trueba


1986. Matador, Pedro Almodóvar


1986. The year of lights, Fernando Trueba


1987. The happy life, Fernando Colomo


1987. Moors and Christians, Luis García Berlanga


1989. Get off the Moor, Fernando Colomo


1990. Don Juan, my dear ghost, Antonio Mercero


1991. Pink sauce, Manuel Gómez Pereira


1992. Orquesta Club Virginia, Manuel Iborra


1993. Kika, Pedro Almodóvar


1993. Self-love, Mario Camus


1993. Why do they call it love when they mean sex ?, Manuel Gómez Pereira


1994. Seven thousand days together, Fernando Fernán Gómez


1995. What are women laughing at women ?, Joaquín Oristrell


1997. The time of happiness, Manuel Iborra


1999. Pepe Guindo, Manuel Iborra


2001. Clara and Elena, Manuel Iborra


2001. I Love You Baby, Alfonso Albacete and David Menkes


2001. Sin shame, Joaquín Oristrell


2005. Reinas, Manuel Gómez Pereira


2006. La dama boba, Manuel Iborra


2008. Maddened, Juan Luis Iborra


2012. Ali, Paco R. Baños


2016. We have to talk, David Serrano


2018. Getting older and other problems, Clara Martínez Lázaro


2019. Remember me, Martín Rosete


2020. Come out of the closet, Ángeles Reiné


2021. A thousand kilometers from Christmas, Álvaro Fernández Armero


2021. Mirror, mirror, Marc Crehuet

Source: elparis

All life articles on 2021-12-13

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