Claire Tabouret is the mix between Ondine de Giraudoux, the sailor who contemplates the sea and the attentive craftsman who takes care of his tools.
She exposes herself slowly, almost surreptitiously.
And creates surprise by his daring and his ability to always reinvent his world between reverie and waking nightmares, references of art and very stripping touch.
In ten years, this petite, lively, serious young woman, who studied at the Beaux-Arts in Paris in 2006, has become a star of contemporary painting contested by the great gallery owners and their collectors.
From Budi Tek's Yuz Museum, in Shanghai, to the Villa Medici in Rome, to the Agnès b. Collection, in Paris, to the Pinault Collection in Venice and Paris, she has already had all the honors.
Read alsoClaire Tabouret, return to a revelation
Installed offshore in Los Angeles since 2015, she has anchored her world so European, with latent and melancholy power that is recognizable at first glance.
“My pleasure in Los Angeles is to be a little behind a lot of things.
And so, more in my ...
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