He quotes Gilles Deleuze and Alain Badiou.
Can spend hours discussing the meaning of interpretation, and the role of the subjective in the advent of the musical text.
“If we start from the principle that the latter is complete only from the moment when a performer traces his own series of decisions on it, the balance to be found between fidelity to the text and freedom of play is very tenuous.
And it's exciting
,” he says between two admiring comments about his elders Maurizio Pollini or Ivo Pogorelich.
To discover
Discover the “Best of the Goncourt Prize” collection
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The great return of the piano in song
An art of the tightrope walker that the Frenchman Jean-Paul Gasparian, barely 26 years old, seems to have pushed himself to the extreme.
All you have to do to be convinced of this is to listen to his latest recital, which has just been published by Evidence... There he performs
Rachmaninoff's
Second Sonata , complete with a bouquet of
Preludes
and
Musical Moments, Op. 16
by the Russian composer, with a natural phrasing and a sense of personal narrative, which relegates technicality to the background - yet formidable...
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