The Deauville American Film Festival confirms its
“important turning point”
, rejoices its general manager, Bruno Barde.
“Deauville discovers the talents that international festivals will later consecrate and allows artists who are making themselves known in the United States to cross borders.
Look at James Gray.
Winner of our Critics' Prize in 1994 with
Little Odessa.
In competition in 2022 at Cannes with
Armageddon Time
.
Arbitrated by a jury chaired by Arnaud Desplechin, the competition which begins today brings face to face thirteen emerging filmmakers dominated by first films and female directors.
This selection, more robust than that of last year, diminished by successive confinements, displays an unusual thematic coherence, focused on childhood and adolescence.
Among these initiatory stories, three were acclaimed at the Cannes Film Festival.
Read also
With Aftersun and War Pony, the Deauville festival explores the torments of the transition to adulthood
Camera d'or,
War Pony
marks the directorial debut of Elvis Presley's granddaughter, actress Riley Keough, and her…
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