He is inexhaustible on the subject.
First film critic, then director of the film
Espion(s)
in 2009 (with Guillaume Canet and Géraldine Pailhas), director Nicolas Saada nourishes a sincere passion for spy cinema.
He also signs in the catalog of the exhibition of the Cinematheque
Top Secret espionage and cinema
, an enlightening text on Hitchcock, Cary Grant and the mysterious name of George Kaplan which appears in
Death by the kits
.
A casual conversation with an inveterate film buff who, with the
Thanksgiving
miniseries , has just proved once again that he loves espionage in all its forms.
LE FIGARO.
- Where does your fascination with spy movies come from?
Nicholas SAADA.
-
Because I very quickly understood that the activity of the spy was very similar to that of the filmmaker.
The spies' jargon is much the same as that of the directors.
We talk about role, we talk about playing and we often talk about these sources.
By definition, espionage is…
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