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"The gold of time", between surrealism and art brut

2022-11-07T16:49:27.166Z


CRITICISM - From André Breton to Jean Dubuffet, from Max Ernst to Paul Klee, the LaM, in Villeneuve-d'Ascq, delves into the origins of art and man and shows the fascination for the production of madmen.


Special envoy to Lille (North)

"What do you dream about at night?"

"With whom is France at war?"

André Breton, assigned in July 1916 to the Neuropsychiatric Center of Saint-Dizier (Haute-Marne) as an auxiliary military doctor, asked these questions to soldiers returning from the front.

Just look at the

Mask of a British Tanker

(1918), in leather and metal with its loophole eyes and chainmail beard, a beautiful monster that opens the route of the LaM in Villeneuve-d'Ascq, near Lille, to grasp the madness of war.

In the responses of these wounded, horrified, lost men, the future “pope of surrealism” (1896-1966) perceives a spark, the creative power of madness.

“Breton in his insane hospital is moved and terrified to see the insane poets greater than him”

, writes his friend Théodore Fraenkel, a student and auxiliary doctor at the front, in his

Carnets 1916-1918

.

Breton read

The Psycho-Analysis of Neuroses and Psychoses

by Doctors Emmanuel Régis and Angelos…

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Source: lefigaro

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