What disturbing strangeness!
Today, despite André Breton who appreciated his premonitory sense of the unusual, despite Georges Bataille who adored his tragic and festive fantasy, despite Michel Leiris fascinated by his scenes of violence, Antoine Caron (1521-1599) is an artist with almost forgotten by the general public.
However, he worked successively for five monarchs, from François I to Henri IV, as well as for Catherine de Médicis.
Fortunately, after the surrealists, psychoanalysts and ethnologists, art historians got back to work.
Some, at the beginning of the 20th century, had begun to unearth his work;
those of the 21st century specify and present it.
The Swiss Frédéric Hueber published the complete catalog in 2018. And, since his arrival at the National Museum of the Renaissance that year, the curator Matteo Gianeselli had been working on a monographic exhibition.
On the spot, within this castle of Écouen, another Renaissance masterpiece due to the Constable...
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