“Less talk, more hoopla.”
Philippe Lafeuille is formal and sticks to it.
No need to push it on the blabla:
"I'm not smart enough to analyze the success that my shows trigger."
As for the tralala, he puts it everywhere.
Young and old.
With the complicity of her costume designer Corine Petitpierre.
For
Tutu
, the posters showed pink tulle pants that puffed out at the waist, tapering to the feet.
For
Car/men
, they are polka dot dresses, deliciously ruffled that cover the face of the bodies that wear them.
When unzipped, they reveal that the dancers are actually dancers.
Superb men: the Chicos Mambos who gave their name to the company.
Philippe Lafeuille hastens to dot the “i”:
“I am not doing this out of provocation.
I don't like what splits.
I definitely don't want to do a gay show or anything like that.
Just pushing boys to look for their femininity.
One…
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