From our special correspondent in Geneva (Switzerland)
“The space of our life is neither continuous, nor infinite, nor homogeneous, nor isotropic. But do we know precisely where it breaks, where it bends, where it disconnects and where it comes together?
, notes Georges Perec in
Species of spaces.
The writer would have liked to survey the set of this new
Atys
directed by Angelin Preljocaj and directed by Leonardo Garcia Alarcon.
For its beauty, surely, but also for this questioning, led from start to finish by Angelin Preljocaj, on the power of music to act on space, and to make it perform many metamorphoses, according to the inflections and rhythms that shape it, and the emotions it conveys.
Nothing could be more obvious, in a way: Angelin Preljocaj, who began his career as a director with this
Atys,
created at the Grand Théâtre de Genève and which we will soon be able to see at the Royal Opera of Versailles, is one of the most sharpest in the world.
He's been telling his stories without words for a long time...
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