Both America and Israel are dissatisfied with the new version - that is, the old one - of "Sex and the City".
After two episodes one can guess why.
In America and Israel, old people are not liked, and the cool series from the nineties has become an older series.
No one wants to grow old and it's not cool - that is, in the language of the old, it is not racial - to engage the old.
The exclusion of old age and the contempt for the old are seen by us from every area in the practice of our lives, and "just like that" presents a sophisticated mirror to this.
I might not have understood it if I had not visited a geriatric hospital this week, where the signposts for elevators have not been renewed since the 1980s.
Do you and Carrie and Mr. Big hear records on a turntable?
In the orthopedic department the signs are "retro" without effort.
I have given birth to babies densely to pay attention to the milk washes themselves in the short term, and the HMOs make sure that the branding vaccine is more careful, but it turns out that there are sectors that are a shame to invest in.
Even "regular" periodic clinics have an elementary investment in odor sprays on an hourly basis, but seniors living in clean, well-designed apartments that break a hip or pelvis, take on the stench of a dining room and a dark corridor in the wake of an ambulance.
After the age of seventy, who cares?
They will take sheltered housing and evaporate from space.
By the way, geriatric and inpatient physicians will earn significantly less than physicians in the glamorous professions.
There is no difference in the level of difficulty, certainly not in favor of plastic surgeons or cardiologists.
It's just less fashionable, unpleasant to see.
The company dedicates anti-racism values with one hand, and anti-aging values liquefy it at the same time from the sleeve.
Not that one has to choose, but in the age of enlightenment and political correctness it is more prominent.
Righteousness takes us away from simplicity, as well illustrated in the university scene of "Just Like That": Justice warrior Miranda (Cynthia Nixon), a graduate attorney, discovers that she is the oldest in the class and that the terminology has once completely changed. The fact that she has a different complexion is considered racism. Because she's older.
Against this background, it is almost symbolic that the absentee from the union season is actually Samantha (Kim Cattle), the "old woman" in the group.
When they were young it was cool, when they barely frowned from Botox and said "Samantha is no longer with us" The friends at the restaurant think she died of corona.
Still, old age.
Real-life background quarrels have nothing to do with age, and yet, the sexy side of the equation used to be jokingly placed in the old rubric, and now that the bunch is already crowned in the 55s area, we are first told how old Samantha is (probably 60).
Indeed, age to die in it from Corona.
"We can not stay who we were, right?"
The girls ask by the way a conversation about hair coloring.
There is no doubt that in Hebrew it still sounds better, for example, when Anat Gov instills this motto in gray hair, from the film about her death, "On Life and Death" which will be broadcast again on Saturday in Hot 8. It is a must-see film about a great artist. That the sensation lies in coming to terms with death at a young age, but aging is destructive from the pursuit of death.
Because modern society likes only beautiful and tense people, it only deals with the deaths of such people (cancer, exercise bikes, undocumented corona).
The old woman stays out of the frame.
When this is the reality, aging is gaining ground at a younger age.
All those who are not yet in Tiktok, in fact.
Were we wrong?
Fixed!
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